Reaper

Config

We use ReaPack for extension management

  1. find the package in browse list, or import the xml
  2. highlight the package
  3. click ...Actions > Install

We use SWS for added functionality for REAPER

All config files stored in ~/Library/Application Support/REAPER

Actions

  • Custom actions are similar to macros, in that we can take building block actions (like select, copy and paste) and run them in a sequence.
  • The common definition of an action in Reaper is any input you make, for example, if I click on a MIDI item to select it, that is an action; if I select the next track, that is an action.

Tips

  • Cmd + B pulls up the project bay, where you can see the file path for all audio files in the project, and copy/move them to the project folder if they're all over the place.

Record Monitoring

  • Monitoring refers to whether or not REAPER plays back the incoming signal when a track is record armed

Bus

Buses are great because they allow you to apply processing to multiple signals at once.

  • ex. maybe you want to apply some subtle saturation to your master bus to sweeten up your entire mix without applying a saturator to each track

You can create custom buses that contain similar instruments. Perhaps you want to create a vocal bus that contains all of the vocal melodies, harmonies, and ad libs in your song. Grouping or "busing" together sounds in this way reduces redundant processing.

Instead of applying a low-cut filter to every vocal track to remove low-end rumble, applying a single low-cut filter to your vocal bus will have the same affect and reduce the load on your computer's CPU.

  • Try experimenting with bus compression, reverb, and delay.

Send (maybe an Aux?)

A send is similar to a bus in the sense that it is for more efficient processing of an FX onto a certain type of sound

  • ex. if we want an artistic reverb FX to be applied to both rhythm acoustic guitars, we could create a Send: rhythm acoustic verb and route the Bus: acoustic rhythm through it. Because the Bus: acoustic rhythm is also routed to the Bus: Guitars, we can mix the FX 100% on the send. As a result, we have a dedicated Send whose volume fader controls how much of the FX will be mixed in with the dry guitar signal itself.
    • this is what's referred to as parallel processing

Children
  1. Automation
  2. Buffer
  3. Channels
  4. Cmds
  5. Cook
  6. Fades
  7. MIDI