Reaper
Config
We use ReaPack for extension management
- find the package in browse list, or import the xml
- highlight the package
- click ...Actions > Install
We use SWS for added functionality for REAPER
All config files stored in ~/Library/Application Support/REAPER
Actions
- Custom actions are similar to macros, in that we can take building block actions (like select, copy and paste) and run them in a sequence.
- The common definition of an action in Reaper is any input you make, for example, if I click on a MIDI item to select it, that is an action; if I select the next track, that is an action.
Tips
- Cmd + B pulls up the project bay, where you can see the file path for all audio files in the project, and copy/move them to the project folder if they're all over the place.
Record Monitoring
- Monitoring refers to whether or not REAPER plays back the incoming signal when a track is record armed
Bus
Buses are great because they allow you to apply processing to multiple signals at once.
- ex. maybe you want to apply some subtle saturation to your master bus to sweeten up your entire mix without applying a saturator to each track
You can create custom buses that contain similar instruments. Perhaps you want to create a vocal bus that contains all of the vocal melodies, harmonies, and ad libs in your song. Grouping or "busing" together sounds in this way reduces redundant processing.
Instead of applying a low-cut filter to every vocal track to remove low-end rumble, applying a single low-cut filter to your vocal bus will have the same affect and reduce the load on your computer's CPU.
- Try experimenting with bus compression, reverb, and delay.
Send (maybe an Aux?)
A send is similar to a bus in the sense that it is for more efficient processing of an FX onto a certain type of sound
- ex. if we want an artistic reverb FX to be applied to both rhythm acoustic guitars, we could create a
Send: rhythm acoustic verb
and route theBus: acoustic rhythm
through it. Because theBus: acoustic rhythm
is also routed to theBus: Guitars
, we can mix the FX 100% on the send. As a result, we have a dedicatedSend
whose volume fader controls how much of the FX will be mixed in with the dry guitar signal itself.- this is what's referred to as parallel processing
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